There was an eccentric named Clare
Who despite all had oodles of flair
She penned limericks galore
To confound all the bores
Who were miffed by her savoir faire
Poems and brief musings usually composed in the evening. My goal is to celebrate the extraordinary in the ordinary.
Loss should be painted in many hues,
Not only shades of gray
Failing health is eroding soil,
Relentless,
As lush greens fade into the aridity of sand
And yet,
Psychic trauma, which saps confidence and the
regard of others,
Is the dank turbid water of an abandoned well
Friends disappear in fear and discomfort,
As winter’s freezing cutting rains sculpt familiar landscapes
Into muddy amorphous forms
And yet,
Economic losses descend without warning
like a churning tornado
Its debris, uncertain sterile years of angst and doubt
And yet,
Within each, a transforming seed
Awaits the pure light of acceptance
To germinate
Endnote: Revised on 2/23/10
Fruit of a hundred year old bonsai tree
A perfect pomegranate hangs from one of her fragile limbs
Her branches look like the wizened arms of the very old
Yet her gnarled trunk sits solidly in the earth
Whence her deceptive vitality?
Like other wise oldsters she knows that
Fulfillment is renewal
Endnote: I recently took this photo at Longwood Gardens. The little tree dates from 1907.
"St. Lucia (also called Lucy) was a fourth-century Italian martyr. Her name is derived from the Latin lux, meaning "light," so she has become associated with festivals and celebrations of light. Before the Gregorian calendar reform in 1752, her feast day occurred on the shortest day of the year (hence the saying "Lucy light, Lucy light, shortest day and longest night"). St. Lucia Day is especially important in Italy and in Sweden, where the youngest daughter dons a crown of burning candles and wakes the family with coffee and St. Lucia buns (sweet rolls seasoned with saffron)."
Source: Farmer's Almanac
Here is another kind of light. The best meteor shower of the year—the Geminids—will streak all night on December 13–14. Expect a count of 75 meteors per hour. Moonless conditions make viewing ideal.
Endnote: This information comes from the Old Farmer's Almanac. Viewing this natural wonder is a unique and meaningful way to greet the coldest season - many opportunities for reflection and giving thanks for our natural world and some of its immutable beauties. I'm posting this early so you can make a note of the dates now.
Oh, what a goodly and a glorious show;
The stately trees have decked themselves with white,
And stand transfigured in a robe of light;
Wearing for each lost leaf a flake of snow.
–Richard Wilton (1827–1903)
Endnote: I came across this poem today and love its evocative imagery, particularly the last line.
This morning I was greeted by a lone crow
sauntering along my sidewalk
His rolling gate reminded me of an old well travelled sailor
He had the nonchalance and joie de vivre
Of a bon vivant
Winter is around the corner but not a care in the world has he
Hearty companions, assorted trash bags, a communal dwelling and plenty of moxie
Would that I were so well equipped for the coldest season!
Endnote: The painting is by Rudi Hurzlmeir
Two paired clouds in a crystalline sky
Enormous billowing pennons
Remind me of Blake’s vision of two angels watching
Watching over Christ entombed
Their wings are outsized and touching above his body
The sacred triangle formed speaks to me of triune Divinity
Christ at the base ever near to us in the earthly realm
The angels are Spirit, vehicles of enfolding grace
Source fills the interior, drawing in and unifying all
To be ‘seen’ only through the eyes of unconditional love
What is meant by grace?
The soul’s subtle whisperings
Of transforming love
In mundane situations
The transcendent is revealed
Endnote: Not too long ago I was checking out at the supermarket. A young mother with a sneezing bawling child was ahead of me. She had a very large order. Thoughts of contracting flu flooded my mind along with irritation at having to wait on line. In the parking lot we were parked next to each other in the handicapped section. I also noticed she had arthritis shoes on. As I started to load my car, she came over and helped me. Grace!
Mourn for the perennial harbingers of the seasons
Canadian geese no longer migrate
They have become opportunists
Finding sustenance in our ersatz ‘brave new world’
Mourn the loss of their evocative calls as they floated above us in graceful formations
Mourn as their implicit promise of nature’s renewal dies
We blame them for fouling this monument to expediency and greed
We liquidate them for our crimes
Habitat loss, pollution, global warming
We compound our depredations by arrogantly casting off our sacred mantle as guardians of the earth
Mourn for the future generations betrayed
An octogenarian vagabond, my father
Traversing the North American continent alone in both directions
His steed is his automobile
No itinerary, no motel reservations, no calls home
His joyful Whitmanesqe spirit
Relishing life as he enthusiastically sings to her
Yes, yes, I am the King of the Road!
Endnote: This poem is dedicated to the memory of my father, a true King of the Road, and to my favorite niece, Karen, who loved her Pom. His journey reminds me of this verse from Goethe: “Whatever you can do, or dream you can do, begin it. Boldness has genius, power, and magic in it. Begin it now.”
I once heard a poet describe clouds as God’s dreams
Large and billowy, long and slender, dark and ominous, infinite variety
Divine metaphors for our doubts, hopes, fears, and illusions
Revealed as transitory phenomena
Evanescing in the essence of pure sky
Endnote: This poem is dedicated to my sister, Joan, because it's one of her favorites.
In silence I gaze at the icon
With head deeply bowed
Everyman cradles the globe
First I see the figure as Jesus
Then I see myself and our human family as cradlers of the earth
Absorbed in a love wider than the universe itself
Endnote: The Compassion Mandala was created by Brother Robert Lentz. It is used by many as an icon in prayerful contemplation.
Two turkey vultures, magnificent wings fully extended
Soaring ever higher in a bright boundless sky
Embodiments of freedom and grace
On the ground large, ugly, ungainly creatures, out of their element
Metaphors for my illness
Physical limitations, pain, angst, despair
Ungainly earthbound birds with leaden wings
Transformed perceptions are soaring birds
Ascending ever higher into the brilliance of wholeness
Where I am unfettered and unbound
Didgeridoo, O Didgeridoo
Not a child’s rhyme, but a transformative instrument
When the Didge Brothers play their ancient resonant tones
Hearts beat as one
We are transported to archetypal planes beyond words
Endnote: Dedicated to Joe Gentile, one of the Didgeridoo Brothers, and his partner, Jerry. Joe is a Didgeridoo Master, Renaissance man, friend and kindred spirit.
This human life is like a prism
In infancy we are pristine white light
As we grow, experience refracts our light
Many colors appear, dark and light
At the end of our journey we return to the original light, our eternal Source
Endnote: This poem is dedicated to my brother-in-law, Richard, a kindred spirit.